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Print Issue The Artist's Magazine, September 2011

By The Artist's Magazine

Format: Magazine

SKU# TA0911

Guide to Acrylic Mediums
Make Your Colors Pop!
Copper as a Surface for Oil
Pick the Right Underlayer for Pastel
Drawing Lesson: Conifers and Hardwoods


Finding Arcadia
Kent Lovelace evokes vanished landscapes by restricting his palette and painting not on canvas but on copper. By Meredith E. Lewis

From the Ground Up
It all starts with the surface. Five masters of the medium—Peter Seltzer, Sydney McGinley, Tim Tepe, Sam Goodsell and Paul Murray—describe the ways they prepare the surface for pastel. By Maureen Bloomfield

All Around the Town
With joyful exactitude New Yorker Max Ferguson documents moments in the lives of the people who inhabit the city he loves. By BJ Foreman

Mediums, Gels & Pastes, Oh My
An adventure starts when manufacturers send an already adventurous artist acrylic mediums to try. By Anne Bagby

The Height of Abstraction
From a skyscraper's vantage, Diana Horowitz sees the city as a series of shapes enveloped in atmosphere. By Judith Fairly


Columns and Departments


A gray ground allows an artist to play with contrast in pastel. By Paul Murray

The Artist's Life
A dazzling account of a celebration in San Antonio, a bevy of books, and a tribute to Patricia Tobacco Forrester. Edited by Cherie Haas

Shows worth taking a trip for. Edited by Cherie Haas

Brushing Up
Make the most of intensity, an attribute of color that affects our perception of form, depth and mood. By Jane Jones

Enhance your reputation and advance your sales by building a network step by step. By Katharine T. Carter

Drawing Board
Study the anatomy of conifers and hardwood trees; then draw them with this guide. By Claudia Nice

Master Class
Albert Marquet conjoined fine draftsmanship with a penchant for making patterns. By Jerry N. Weiss

Ask the Experts
What's the best system for keeping studio air fresh; what are Maroger and megilp mediums. By Bradley Lance Moore

Supply Cabinet
Try these new and improved products for your studio. Edited by Cherie Haas

Competition Spotlight
An artist manipulates watercolor by applying wax paper and plastic wrap to wet paint. By Diane Schmidt

SKU TA0911
Author/Speaker/Editor The Artist's Magazine
Format Magazine

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