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The Artist's Magazine January/February 2014

SKU# U7027-TA0214-GROUP

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Highlights in the January/February 2014 issue of The Artist’s Magazine include:

Watercolor Masking Tips and Techniques

the 30th Anniversary

Breathtaking Portraits That Start with Grisaille

Monoprinting on a Gel Plate

Features

Life is a House

An artist looks outward and also within, painting abandoned houses and his own.

By Ephraim Rubenstein

Transcendent Technique

Scott E. Bartner's classical portraits start simply with a grisaille.

By Richard Stull

Looking Up

Sylvia Plimack Mangold has created a monumental body of work by staring at trees and sky.

By Jerry N. Weiss

Playing With Pieces

Illustrating children's books, Melissa Sweet works with a gamut of color and snatches of collage.

Interview By Will Hillenbrand

In Praise of the Unfinished

Spontaneous, quick, dashing, a work that resists closure has its charm.

By Jerry N. Weiss

Stars on the Rise

The student winners of our Annual Art Competition tell their pictures' stories.

By McKenzie Graham, Holly Davis, and Maureen Bloomfield

Columns and Departments

Letters

The Artist's Life

Picasso's cassia, Urban Sketchers, wise words from 30 years ago, and more. Edited by McKenzie Graham

Exhibitions

Brushing Up

Masking saves the lights and brights in watercolor. By Chris Beck

Drawing Board

Portraits in colored pencil avoid cliche with close cropping. By Tanja Gant

Road Test

An artist tries a Gelli Arts gel plate for monotypes.By Cathy M. Woo

Ask the Experts

Answers to questions about T-hinges and shipping watercolors By Chris A. Paschke

Business

What to have ready and how to get your studio in shape to welcome clients By John A. Parks

Master Class

James Abbott McNeill Whistler was indeed the painter of London's mists. By Jerry N. Weiss

Index: 2013 at a Glance

Competition Spotlight

An artist shares a beer with an affable animal. By Brad Lethaby

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The Artist's Magazine January/February 2014
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Read the Artist’s Magazine’s January/February 2014 issue and learn new tips and advice, including watercolor masking tips and techniques, monoprinting on a gel plate, and breathtaking portraits that start with Grisaill

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