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The Artist's Magazine October 2013

Highlights in the October 2013 issue of The Artist’s Magazine include:
Master Lesson: Painting the Figure as Large as Life
Creating Atmosphere in Acrylic
In Love with Land & Sky
Ashley Bryan: the Joy of Making Art for Children
Blocking in a Multifigure Painting

Features

Alive with Paint
Thomas Torak wields the brush with a bravado based on a fervent study of old master techniques. By Robert K. Carsten

The Making of a Multifigure Painting
Over the course of a year, Max Ginsburg blocked in the composition for Unemployed On Line, then painted it all over again. By Max Ginsburg

The Power of Suggestion
With acrylic on canvas, Nina Maguire portrays states of mind, preferring atmospheric mists to hard edges. By John A. Parks

Love is the Heart
Renowned author and illustrator Ashley Bryan recounts his joy in recovering lost tales in order to make them new for children. Interview by Will Hillenbrand

Large as Life
A contemporary master extols the time-honored practice of drawing and painting life-size from life. By Jerry N. Weiss

Columns and Departments

Letter From the Editor

The Artist's Life
Pumpkins and gourds for autumnal still lifes, and more. Edited by McKenzie Graham

Drawing Board
You can’t separate clouds from sky, so draw them together. By Liz Haywood-Sullivan

Ask the Experts
Definitions of tertiary color, plus two gray-scale numbering systems. By Nita Leland

Brushing Up
From a myriad of blues, choose warm or cool for the land or sky. By Michael Chesley Johnson

Business
Pretend you’re a CEO and put in place a five-year plan. By Paul Dorrell

Master Class
Edouard Manet executes a brilliant portrait sketch. By Jerry N. Weiss

Road Test
An artist tries Oleogel medium, which increases the transparency of oil. By Rob Anderson

Competition Spotlight
Placing the figure off center adds drama to this acrylic portrait. By Erin Cone

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